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Guitar 1 w/ delay
-
Distortion Guitar
Track difficulty (Rhythm)
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e
B
G
D
A
D
1
1st Verse / Intro-Verse
=106
Who
are
you
to
wave
your
4
4
2
fin-
You
ger?
must
've
been
3
out
your
head
4
5
Eye
hole
deep
in
mu-
ddy
6
wa-
You
ters
prac-
tic-
'ly
7
raised
the
dead
8
9
Rob
the
grave
to
snow
the
10
cra-
the
dle
Then
burn
e-
vi-
dence
11
down
12
Strum, feed and fade in with the volume knob.
0
0
0
13
Soap-
box
house
of
cards
and
14
glass
So
don't
go
to-
ssin'
your
15
stones
5
round
5
a-
16
5
¼
You
must
've
been
P. M.
P. M.
P. M.
P. M.
17
0
0
0
0
0
0
high
0
18
0
0
0
0
0
You
0
must
0
've
3
been
3
½
P. M.
P. M.
P. M.
P. M.
19
0
0
0
0
0
0
high
0
20
0
0
0
0
0
You
0
must
0
've
3
been...
3
½
21
"High" Interlude
0
15
(15)
full
22
(15)
23
0
15
(15)
full
24
(15)
25
0
15
(15)
full
26
(15)
27
0
15
(15)
full
28
(15)
pickscrape
X
X
29
2nd Verse
Foot
X
X
in
mouth
and
head
up
30
ass,
so
what-
cha
talkin'
'bout?
31
32
33
Di-
ffi-
cult
to
dance
'round
34
this
one
till
you
pull
it
out,
35
This is just a very short delay.
[delay on]
16
½
(16)
boy
14
36
You
must
've
been
37
so
15
(15)
full
(15)
high
17
38
You
must
've
been
39
[delay off]
so
high
40
41
Ste-
al,
bor-
row,
re-
fer,
P. M.
P. M.
42
save
your
sha-
dy
in-
fe-
rence
43
44
45
Kan-
0
ga-
0
roo
0
done
0
0
hung
0
the
0
P. M.
P. M.
P. M.
P. M.
46
ju-
0
0
ry
0
0
with
0
the
0
i-
0
nno-
3
cent
3
½
47
0
0
0
0
0
0
0
P. M.
P. M.
let ring
let ring
48
0
0
0
0
0
0
0
Now
3
you're
3
½
49
1st Chorus
weep-
5
shades
5
5
zened
3
3
3
go
3
ing
of
co-
in-
di-
let ring
A.H.
P. M.
P. M.
50
Got
10
10
le-
mon
10
juice
10
10
in
5
your
6
5
0
up
51
0
0
eye
0
0
0
0
0
P. M.
let ring
let ring
let ring
52
0
0
0
0
0
0
0
When
3
you
3
½
53
pissed
5
o-
5
5
black
3
3
ttle
3
3
all
ver
my
ke-
let ring
P. M.
P. M.
54
10
10
10
10
10
You
1
must
1
've
1
been
1
0
55
0
0
high,
0
0
0
0
high
0
P. M.
P. M.
P. M.
P. M.
56
0
0
0
0
0
You
0
must
0
've
3
been
3
½
57
0
0
high,
0
0
0
0
high
0
P. M.
let ring
58
0
0
0
0
0
0
0
3
3
½
59
½ "High" Interlude
0
15
(15)
full
60
(15)
P. M.
P. M.
61
0
15
(15)
full
62
(15)
63
3rd Verse
Who
0
are
0
you
0
to
0
0
wave
0
your
0
P. M.
P. M.
P. M.
P. M.
64
fin-
0
0
ger
0
0
0
so
0
full
0
of
3
it?
3
½
65
0
0
0
0
0
0
0
P. M.
P. M.
P. M.
P. M.
66
0
0
0
0
0
0
0
3
3
½
67
Eye
0
balls
0
deep
0
in
0
0
mu-
0
ddy
0
P. M.
P. M.
P. M.
P. M.
68
wa-
0
0
ters,
0
0
fu-
0
ckin'
0
hy-
0
po-
3
crite
3
½
69
0
0
0
0
0
0
0
P. M.
let ring
70
0
0
0
0
0
0
0
L-
3
3
½
71
i-
10
10
10
ar,
law-
yer,
mir-
ror
72
show
me
what's
the
di-
ffe-
rence
73
2
0
0
0
74
pickscrape
X
X
75
Kan-
10
10
10
ga-
roo
done
hung
the
76
guil-
ty
with
the
i-
nno-
cent
P. M.
P. M.
P. M.
let ring
77
0
0
0
0
0
Now
0
0
78
0
0
0
0
0
0
0
3
you're
3
½
let ring
let ring
let ring
79
2nd Chorus
weep-
5
shades
5
5
zened
3
3
3
go
3
ing
of
co-
in-
di-
80
Got
10
10
le-
mon
10
juice
10
10
in
5
your
6
0
6
up
P. M.
P. M.
P. M.
let ring
81
0
0
eye,
0
0
0
0
eye
0
82
0
0
0
0
0
0
0
When
3
you
3
½
let ring
let ring
let ring
83
pissed
5
o-
5
5
black
3
3
3
3
all
ver
my
ke-
ttle
84
10
10
10
10
10
You
1
must
1
've
1
1
been...
1
1
0
0
85
1st Post-Chorus
0
0
0
0
0
0
X
X
X
X
5
7
5
0
X
X
X
X
3
4
86
2
2
2
2
2
2
X
X
X
X
5
7
5
0
X
X
X
X
87
3
3
3
3
3
3
X
X
X
X
5
7
5
0
X
X
X
X
88
5
5
5
5
5
5
X
X
X
X
5
7
5
0
X
X
X
X
89
0
0
0
0
0
0
X
X
X
X
5
7
5
0
X
X
X
X
90
2
2
2
2
2
2
X
X
X
X
5
7
5
0
X
X
X
X
91
3
3
3
3
3
3
X
X
X
X
5
7
5
0
X
X
X
X
92
5
5
5
5
5
5
X
X
X
X
5
7
5
0
So
X
X
X
X
93
who
0
0
0
0
0
0
X
X
X
X
you
0
0
0
0
0
0
X
X
X
X
are
to
94
wave
2
2
2
2
2
2
X
X
X
X
fin-
2
2
2
2
2
2
X
X
X
X
your
ger?
95
3
3
3
3
3
3
X
X
X
X
3
3
3
3
3
3
X
X
X
X
96
5
5
5
5
5
5
X
X
X
X
5
7
5
0
5
0
97
Who
0
0
0
0
0
0
X
X
X
X
you
0
0
0
0
0
0
X
X
X
X
are
to
98
wave
2
2
2
2
2
2
X
X
X
X
fa-
2
2
2
2
2
2
X
X
X
X
your
tty
99
fin-
3
3
3
3
3
3
X
X
X
X
at
3
3
3
3
3
3
X
X
X
X
gers
me?
100
You
5
5
5
5
5
5
X
X
X
X
have
8
8
8
8
8
8
X
X
X
X
out
3
3
3
3
3
3
must
been
your
9
8
P. M.
101
Bass Solo
mind
0
0
0
0
10
12
12
12
3
4
3
102
0
0
0
10
12
12
12
P. M.
103
0
0
0
0
10
12
12
12
3
104
0
0
0
10
12
12
12
P. M.
105
0
0
0
0
10
12
12
12
3
106
0
0
0
10
12
12
12
P. M.
107
0
0
0
0
10
12
12
12
3
108
0
0
0
10
12
12
12
P. M.
109
Throughout the entire song the two guitars
0
0
0
0
10
12
12
are playing excactly the same panned in
12
3
110
0
0
0
12
15
15
either…
15
…side, so I've only indicated something
P. M.
111
0
0
0
0
10
12
for Guitar 2 now that it differs from
12
12
3
112
0
0
0
7
Guitar 1.
10
10
10
P. M.
113
The delay reapeat a note three times before fading
[delay on]
0
0
0
10
12
12
12
114
out, with a delay of three 16ths.
0
0
0
12
15
15
15
115
0
0
0
10
12
12
12
P. M.
116
0
0
0
7
10
10
10
117
0
0
0
10
12
12
12
118
0
0
0
10
12
12
12
P. M.
S.H.
119
0
0
0
10
12
12
12
120
0
0
0
10
12
12
12
let ring
let ring
121
Bridge
Weep-
[delay off]
0
shades
0
of
0
0
10
12
12
12
in'
in-
di-
go
3
122
8
8
8
5
7
8
let ring
let ring
123
Shed
0
out
0
a
0
rea-
0
10
12
12
12
with-
son
3
124
8
8
8
5
5
7
Ooh,
8
let ring
let ring
125
weep-
10
shades
0
of
0
5
7
0
in'
in-
di-
go
126
8
8
8
5
5
5
127
3
0
5
7
0
let ring
P. M.
P. M.
P. M.
128
8
8
8
5
5
5
7
7
8
129
Climax
0
10
0
0
12
0
0
10
0
0
0
0
4
4
P. M.
130
0
10
0
0
13
0
10
0
0
13
0
Here Adam uses
10
0
(X)
3
P. M.
P. M.
P. M.
131
one of his unique techniques,
0
10
0
0
12
press F5 to find a link in the bottom of
0
0
10
0
0
0
the notice…
0
…space.
P. M.
132
There I'll explain this technique into details.
0
10
0
0
13
0
10
0
0
13
0
10
0
(X)
3
P. M.
P. M.
P. M.
133
0
10
0
0
12
0
0
10
0
0
0
0
P. M.
134
0
10
0
0
13
0
10
0
0
13
0
10
0
(X)
3
P. M.
P. M.
P. M.
135
0
10
0
0
12
0
0
10
0
0
0
0
P. M.
136
0
10
0
0
13
0
10
0
0
13
0
10
0
(X)
3
P. M.
P. M.
P. M.
137
0
10
0
0
12
0
0
10
0
0
0
0
P. M.
138
0
10
0
0
13
0
10
0
0
13
0
10
0
(X)
3
P. M.
139
[delay on]
0
0
0
0
0
0
0
0
0
0
0
140
0
0
0
0
0
0
0
0
0
3
5
3
5
P. M.
A.H.
P. M.
141
0
0
0
0
0
0
0
0
5
0
142
0
0
0
0
0
0
0
0
0
3
5
3
5
P. M.
143
0
0
0
0
0
0
0
0
3
5
144
3
5
3
5
3
5
3
5
3
5
3
5
3
5
3
5
145
Breakdown
Hit the chord so hard that it detunes a bit in the beginning
[delay off]
2
0
0
0
146
147
L-
148
4th Verse / Breakdown-Verse
i-
ar,
law-
yer,
mir-
ror
149
for
you
what's
the
di-
ffe-
rence?
P. M.
P. M.
P. M.
P. M.
150
0
0
0
0
0
0
0
151
0
0
0
0
0
0
0
3
3
½
152
Kan-
10
10
10
ga-
roo
be
stoned
He's
153
guil-
ty
as
the
go-
vern-
ment
P. M.
P. M.
P. M.
let ring
154
0
0
0
0
0
0
Now
0
155
0
0
0
0
0
0
0
3
you're
3
½
let ring
let ring
let ring
156
3rd Chorus
weep-
5
shades
5
5
ze-
3
3
3
di-
3
ing
of
co-
ned
in-
157
go
Got
10
10
le-
mon
10
juice
10
10
in
5
your
6
5
0
up
P. M.
P. M.
P. M.
let ring
158
0
0
eye,
0
0
0
0
eye
0
159
0
0
0
0
0
0
0
When
3
you
3
½
let ring
let ring
let ring
160
pissed
5
o-
5
5
black
3
3
ttle
3
3
all
ver
my
ke-
161
10
10
10
10
10
You
1
must
1
've
1
1
been
1
1
0
0
162
2nd Post-Chorus
0
0
0
0
0
0
X
X
X
X
high,
5
7
5
0
X
X
X
X
3
4
163
2
2
2
2
2
2
X
X
X
X
high,
5
7
5
0
X
X
X
X
164
3
3
3
3
3
3
X
X
X
X
high,
5
7
5
0
X
X
X
X
165
5
5
5
5
5
5
X
X
X
X
high
5
7
5
0
X
X
X
X
166
Eye
0
0
0
0
0
0
X
X
X
X
deep
5
7
5
in
0
X
X
X
X
balls
167
mu-
2
2
2
2
2
2
X
X
X
X
wa-
5
7
5
ters
0
X
X
X
X
ddy
168
3
3
3
3
3
3
X
X
X
X
5
7
5
0
X
X
X
X
169
5
5
5
5
5
5
X
X
X
X
5
7
5
0
X
X
X
X
170
Eye
0
0
0
0
0
0
X
X
X
X
deep
0
0
0
0
0
0
X
X
X
X
balls
in
171
mu-
2
2
2
2
2
2
X
X
X
X
wa-
2
2
2
2
2
2
X
X
X
X
ddy
ters
172
Gan-
3
3
3
ja?
3
3
3
P-
X
X
X
X
lea-
3
3
3
3
3
3
se!
X
X
X
X
173
You
5
5
5
must
5
5
5
X
X
X
X
have
8
8
8
been
8
8
8
X
X
X
X
out
3
3
3
your
3
3
3
9
8
P. M.
P. M.
P. M.
P. M.
174
Outro
mind
5
7
7
0
0
3
5
5
0
0
5
7
7
4
4
175
0
0
3
3
5
7
7
0
0
8
6
P. M.
P. M.
P. M.
P. M.
176
5
7
7
0
0
3
5
5
0
0
5
7
7
177
0
0
3
3
5
7
7
0
0
8
6
P. M.
P. M.
P. M.
P. M.
178
5
7
0
3
5
0
5
7
179
0
3
3
5
7
7
0
0
8
6
P. M.
P. M.
P. M.
P. M.
180
5
7
7
0
0
3
5
5
0
0
5
7
7
181
0
0
3
3
5
7
7
0
0
8
6
Change tuning (R)