Tool
—
The Pot
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Guitar 1 w/ delay
—
Distortion Guitar
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e
B
G
D
A
D
1
1st Verse / Intro-Verse
=106
4
4
2
3
4
5
6
7
8
9
10
11
12
Strum, feed and fade in with the volume knob.
0
0
0
13
14
P. M.
P. M.
15
5
5
16
5
17
0
0
0
0
0
0
0
P. M.
P. M.
P. M.
P. M.
P. M.
P. M.
18
0
0
0
0
0
0
0
3
3
½
19
0
0
0
0
0
0
0
P. M.
P. M.
P. M.
P. M.
20
0
0
0
0
0
0
0
3
3
½
21
"High" Interlude
0
15
full
22
23
0
15
full
24
25
0
15
full
26
27
0
15
full
28
pickscrape
0
0
29
2nd Verse
0
0
30
31
32
33
34
35
This is just a very short delay.
16
½
14
36
37
15
full
17
38
39
40
41
42
43
44
P. M.
P. M.
P. M.
P. M.
P. M.
P. M.
45
0
0
0
0
0
0
0
46
0
0
0
0
0
0
0
3
3
½
P. M.
P. M.
P. M.
P. M.
P. M.
P. M.
47
0
0
0
0
0
0
0
48
0
0
0
0
0
0
0
3
3
½
Harm.
49
1st Chorus
5
5
5
3
3
3
3
50
10
10
10
10
10
5
6
5
0
P. M.
P. M.
P. M.
P. M.
51
0
0
0
0
0
0
0
52
0
0
0
0
0
0
0
3
3
½
53
5
5
5
3
3
3
3
54
10
10
10
10
10
1
1
1
1
0
P. M.
P. M.
P. M.
P. M.
P. M.
P. M.
55
0
0
0
0
0
0
0
56
0
0
0
0
0
0
0
3
3
½
P. M.
P. M.
P. M.
P. M.
57
0
0
0
0
0
0
0
58
0
0
0
0
0
0
0
3
3
½
59
½ "High" Interlude
0
15
full
60
61
0
15
full
P. M.
P. M.
62
63
3rd Verse
0
0
0
0
0
0
0
P. M.
P. M.
P. M.
P. M.
P. M.
P. M.
64
0
0
0
0
0
0
0
3
3
½
65
0
0
0
0
0
0
0
P. M.
P. M.
P. M.
P. M.
P. M.
P. M.
66
0
0
0
0
0
0
0
3
3
½
67
0
0
0
0
0
0
0
P. M.
P. M.
P. M.
P. M.
P. M.
P. M.
68
0
0
0
0
0
0
0
3
3
½
69
0
0
0
0
0
0
0
P. M.
P. M.
70
0
0
0
0
0
0
0
3
3
½
71
10
10
10
72
73
2
0
0
0
74
pickscrape
24
24
75
10
10
10
P. M.
P. M.
76
77
0
0
0
0
0
0
0
P. M.
P. M.
78
0
0
0
0
0
0
0
3
3
½
79
2nd Chorus
5
5
5
3
3
3
3
P. M.
P. M.
80
10
10
10
10
10
5
6
0
6
81
0
0
0
0
0
0
0
P. M.
P. M.
82
0
0
0
0
0
0
0
3
3
½
83
5
5
5
3
3
3
3
84
10
10
10
10
10
1
1
1
1
1
1
0
0
85
1st Post-Chorus
0
0
0
0
0
0
X
X
X
X
5
7
5
0
X
X
X
X
3
4
86
2
2
2
2
2
2
X
X
X
X
5
7
5
0
X
X
X
X
87
3
3
3
3
3
3
X
X
X
X
5
7
5
0
X
X
X
X
88
5
5
5
5
5
5
X
X
X
X
5
7
5
0
X
X
X
X
89
0
0
0
0
0
0
X
X
X
X
5
7
5
0
X
X
X
X
90
2
2
2
2
2
2
X
X
X
X
5
7
5
0
X
X
X
X
91
3
3
3
3
3
3
X
X
X
X
5
7
5
0
X
X
X
X
92
5
5
5
5
5
5
X
X
X
X
5
7
5
0
X
X
X
X
93
0
0
0
0
0
0
X
X
X
X
0
0
0
0
0
0
X
X
X
X
94
2
2
2
2
2
2
X
X
X
X
2
2
2
2
2
2
X
X
X
X
95
3
3
3
3
3
3
X
X
X
X
3
3
3
3
3
3
X
X
X
X
96
5
5
5
5
5
5
X
X
X
X
5
7
5
0
5
0
97
0
0
0
0
0
0
X
X
X
X
0
0
0
0
0
0
X
X
X
X
98
2
2
2
2
2
2
X
X
X
X
2
2
2
2
2
2
X
X
X
X
99
3
3
3
3
3
3
X
X
X
X
3
3
3
3
3
3
X
X
X
X
P. M.
P. M.
100
5
5
5
5
5
5
X
X
X
X
8
8
8
8
8
8
X
X
X
X
3
3
3
3
3
3
9
8
101
Bass Solo
0
0
0
0
10
12
12
12
3
4
3
P. M.
P. M.
P. M.
102
0
0
0
10
12
12
12
103
0
0
0
0
10
12
12
12
3
P. M.
P. M.
P. M.
104
0
0
0
10
12
12
12
105
0
0
0
0
10
12
12
12
3
P. M.
P. M.
P. M.
106
0
0
0
10
12
12
12
107
0
0
0
0
10
12
12
12
3
P. M.
P. M.
P. M.
108
0
0
0
10
12
12
12
109
Throughout the entire song the two guitars
0
0
0
0
10
12
12
are playing excactly the same panned…
12
3
…in
P. M.
P. M.
P. M.
110
0
0
0
12
15
15
either side, so I've only indicated something
15
111
0
0
0
0
10
12
for Guitar 2 now that it differs…
12
12
3
…from
P. M.
P. M.
P. M.
P. M.
112
0
0
0
7
Guitar 1.
10
10
10
113
The delay reapeat a note three times before fading
0
0
0
10
12
12
12
114
out, with a delay of three 16ths.
0
0
0
12
15
15
15
P. M.
P. M.
P. M.
P. M.
115
0
0
0
10
12
12
12
116
0
0
0
7
10
10
10
117
0
0
0
10
12
12
12
P. M.
P. M.
P. M.
P. M.
Harm.
118
0
0
0
10
12
12
12
119
0
0
0
10
12
12
12
120
0
0
0
10
12
12
12
121
Bridge
0
0
0
0
10
12
12
12
3
122
8
8
8
5
7
8
123
0
0
0
0
10
12
12
12
3
124
8
8
8
5
5
7
8
125
10
0
0
5
7
0
126
8
8
8
5
5
5
127
3
0
5
7
0
128
8
8
8
5
5
5
7
7
8
P. M.
P. M.
P. M.
129
Climax
0
10
0
0
12
0
0
10
0
0
0
0
4
4
P. M.
P. M.
130
0
10
0
0
13
0
10
0
0
13
0
Here Adam uses
10
0
(X)
3
P. M.
P. M.
P. M.
131
one of his unique techniques,
0
10
0
0
12
press F5 to find a link in the bottom of
0
0
10
0
0
0
the notice…
0
…space.
P. M.
P. M.
132
There I'll explain this technique into details.
0
10
0
0
13
0
10
0
0
13
0
10
0
(X)
3
P. M.
P. M.
P. M.
133
0
10
0
0
12
0
0
10
0
0
0
0
P. M.
P. M.
134
0
10
0
0
13
0
10
0
0
13
0
10
0
(X)
3
P. M.
P. M.
P. M.
135
0
10
0
0
12
0
0
10
0
0
0
0
P. M.
P. M.
136
0
10
0
0
13
0
10
0
0
13
0
10
0
(X)
3
P. M.
P. M.
P. M.
137
0
10
0
0
12
0
0
10
0
0
0
0
P. M.
P. M.
138
0
10
0
0
13
0
10
0
0
13
0
10
0
(X)
3
P. M.
P. M.
P. M.
139
0
0
0
0
0
0
0
0
0
0
0
140
0
0
0
0
0
0
0
0
0
3
5
3
5
P. M.
P. M.
Harm.
P. M.
P. M.
141
0
0
0
0
0
0
0
0
5
0
142
0
0
0
0
0
0
0
0
0
3
5
3
5
P. M.
P. M.
143
0
0
0
0
0
0
0
0
3
5
144
3
5
3
5
3
5
3
5
0
3
5
0
3
5
0
3
5
0
3
5
3
3
3
3
145
Breakdown
2
0
0
0
146
147
148
4th Verse / Breakdown-Verse
P. M.
P. M.
149
150
0
0
0
0
0
0
0
P. M.
P. M.
P. M.
P. M.
151
0
0
0
0
0
0
0
3
3
½
152
10
10
10
153
P. M.
P. M.
P. M.
P. M.
154
0
0
0
0
0
0
0
155
0
0
0
0
0
0
0
3
3
½
156
3rd Chorus
5
5
5
3
3
3
3
157
10
10
10
10
10
5
6
5
0
P. M.
P. M.
P. M.
P. M.
158
0
0
0
0
0
0
0
159
0
0
0
0
0
0
0
3
3
½
160
5
5
5
3
3
3
3
161
10
10
10
10
10
1
1
1
1
1
1
0
0
162
2nd Post-Chorus
0
0
0
0
0
0
X
X
X
X
5
7
5
0
X
X
X
X
3
4
163
2
2
2
2
2
2
X
X
X
X
5
7
5
0
X
X
X
X
164
3
3
3
3
3
3
X
X
X
X
5
7
5
0
X
X
X
X
165
5
5
5
5
5
5
X
X
X
X
5
7
5
0
X
X
X
X
166
0
0
0
0
0
0
X
X
X
X
5
7
5
0
X
X
X
X
167
2
2
2
2
2
2
X
X
X
X
5
7
5
0
X
X
X
X
168
3
3
3
3
3
3
X
X
X
X
5
7
5
0
X
X
X
X
169
5
5
5
5
5
5
X
X
X
X
5
7
5
0
X
X
X
X
170
0
0
0
0
0
0
X
X
X
X
0
0
0
0
0
0
X
X
X
X
171
2
2
2
2
2
2
X
X
X
X
2
2
2
2
2
2
X
X
X
X
172
3
3
3
3
3
3
X
X
X
X
3
3
3
3
3
3
X
X
X
X
173
5
5
5
5
5
5
X
X
X
X
8
8
8
8
8
8
X
X
X
X
3
3
3
3
3
3
9
8
P. M.
P. M.
P. M.
P. M.
174
Outro
5
7
7
0
0
3
5
5
0
0
5
7
7
4
4
175
0
0
3
3
5
7
7
0
0
8
6
P. M.
P. M.
P. M.
P. M.
176
5
7
7
0
0
3
5
5
0
0
5
7
7
177
0
0
3
3
5
7
7
0
0
8
6
P. M.
P. M.
P. M.
P. M.
178
5
7
0
3
5
0
5
7
179
0
3
3
5
7
7
0
0
8
6
P. M.
P. M.
P. M.
P. M.
180
5
7
7
0
0
3
5
5
0
0
5
7
7
181
0
0
3
3
5
7
7
0
0
8
6
